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Showing posts with label Serendip. Show all posts
Showing posts with label Serendip. Show all posts

Thursday, 9 June 2011

Doing it Anyway

If you read my last post, you can see I foolishly thought I would find time to increase my writing. As it is, I have been so busy, my writing has been forced on to the back burner. With this in mind I thought the best piece to start this year’s writing would be a brief post about some of my antics and how one thing has led to another...
There's a book by Susan Jeffers called Feel The Fear and Do It Anyway. I've never read it and with my very long list of books I want to read, it's unlikely I ever will (well, not for a good few years at least). However, it sums up the mantra by which I have been trying to live my acting life over the last 12 months and I have to say it’s worked pretty well so far.


Instant Wit

It began about a year ago with an audition for Instant Wit, the comedy improvisation group. I love comedy improvisation, but equally it terrifies me, especially when auditioning for a group of people who have been working together for years. It was as terrifying as I thought it would be, but they were lovely and although I didn't make it into the group, I did get recalled, which boosted my confidence, and meant I met some brilliant people that I'm still in contact with - I also laughed longer and harder in that rehearsal room than I have for ages!
Show of Strength Theatre Company


A few months later, Sheila at Show of Strength approached me about performing in Trading Local, a brilliant initiative aimed at regenerating local shopping areas. Site-specific monologues, sourced and developed from local writers are performed in shops - not empty ones, trading ones - creating some very 'intimate' theatre!


The thought of performing with no boundary between audience and performance sounded exciting, but I could feel the fear in the pit of my stomach. Once again, because I could feel the fear I knew I had to do it. 


Performing in Trading Local. Photograph Copyright Zuleika Henry


It was an great experience for many reasons, with a lot of strange coincidences, that if you believe in fate, could easily be read as signs.


Serendip Poster


One coincidence came in the form of Sam Randall, a playwright with a new play, called Serendip, about to be performed in Exeter. She approached me after one of my performances and asked if I would be interested in auditioning for her play if she could get me seen. I said ‘yes’ and to cut a long story short, within a few weeks I was rehearsing the roles of Gertie and Ten in Serendip at The Bike Shed Theatre.
Towards the end of the run an old friend, now a director, called me to ask if I was interested in auditioning for a production of a one-woman, Howard Barker piece, to be performed in an huge, freezing cold, empty warehouse on the Paintworks site in Bristol - with a proposition like that, how could I say ‘no’? Well, I thought about it, as the fear of doing a huge show in a short space of time with everything resting on my shoulders was great, but it was such an unusual opportunity, once again, I had to say ‘yes’. 


Performing in 'Und'


The play was Und and I got the role. What ensued one of the biggest acting challenges I have so far faced. Thankfully, the show was well received and soon the challenge will be even greater as we are taking the show to Edinburgh for the Festival. 
I don’t know what the next 12 months have in store, but over the last year I know that by stepping out of my comfort zone, I have developed in many ways, so I hope the offers keep coming and even if I feel the fear, I continue to push myself and do it anyway.

Wednesday, 27 October 2010

Happy Birthday Theatre West

I knew it had been a while since I had last posted on the blog, but I didn’t realise just how long it had been until I actually checked the date. June? June? Surely not...

In my head it doesn’t seem that long because I have been planning pieces and starting to write them in the intervening period, but have had to abandon them as events have taken over my time.

The last couple of months have been incredibly busy and I have had the opportunity to work on some really interesting and unusual pieces with some brilliant people, including Consulting with Chekhov at the Alma Tavern and Trading Local with Show of Strength. I am currently rehearsing a new play called Serendip at The Bikeshed Theatre in Exeter, so my ‘spare’ time is limited, but over the coming weeks, I plan to write about the production whenever possible. This piece, however, is one I’ve been planning to write for the last month, about the current Theatre West season.

Front cover of the 2010 brochure 

This season marks the 20th birthday of Theatre West and Co-Artistic Directors Alison Comley & Ann Stiddard have programmed some really thought-provoking work from writers with very distinctive voices.

Children of Salt image Copyright Toby Farrow 2010

The season opened with the powerful Children of Salt by Edson Burton, directed by Amanda Horlock. It dealt with life after genocide and how you rebuild your life. Suspicion and guilt seeped through the play as the characters tried to hold onto the love they once shared. In the end you see that they have all been existing and not living as the psychological wounds continue to weep long after the physical wounds have healed.

A Laughing Matter image Copyright Toby Farrow 2010

Next up it was A Laughing Matter by Dom Rowe, directed by Ed Viney. It was darkly comic piece following a failing ‘suicide-mime’ artist and the inventor of canned laughter, as they go ‘on the run’. Full of cultural references and set in the desert somewhere in America, it was soon apparent that the people they were running from were insignificant and ultimately they were trying to out-run their past in order to escape their future.

Watching this one was particularly interesting as I had read an earlier version of the script, which had a completely different ending, so I wasn’t expecting it to end how and when it did end. At the time I felt the ending was positive and full of hope, but on reflection, I think this was influenced by my knowledge of the previous ending. The ending I watched was more open ended and although it still suggested hope, I think that for Audrey, the mime artist her future was far from certain.

Page from 2010 brochure

Pavement by Sharon Clark, directed by Emma Earle is the current production in the season and is described as a ‘fierce, funny and tender meditation on love, loss and broken engines’. Although I haven’t seen it yet, I’m really looking forward to it as I am familiar with Sharon’s previous work.

Page from 2010 brochure

The penultimate production will be the final part in Steve Hennessy’s Lullabies of Broadmoor series, Venus at Broadmoor, directed by Chris Loveless. Set in the infamous lunatic asylum, the story is based on the real-life ‘Chocolate Cream Poisoner’, Christiana Edmunds, the most notorious female patient at Broadmoor. Watch it and it will make you question your resistance to such enigmatic characters.

Page from 2010 brochure

As the programme points out, the season opened with a play about the effect of war on ordinary people and it closes in the same way. Rabbit Ears by Bruce Fellows is about women at home waiting for news of their men, soldiers fighting in Afghanistan. It will be directed by Theatre West’s very own Alison Comley and Bruce is the winner of their initiative with Southwest Scriptwriters. It sounds great, but unfortunately I won’t be able to see this one as I will be performing in Exeter.

Ann and Alison outside The Alma Tavern

I think Ann and Alison are amazing – the sheer amount of time they dedicate to sourcing and supporting new work is admirable and Theatre West is a fantastic asset to our region. We all know that the government and Arts Council cuts are coming, but I really hope that Theatre West weathers the storm. With Ann and Alison at the helm I have every faith it will be here to celebrate its 21st birthday and beyond.

Happy Birthday Theatre West!

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