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Wednesday, 13 May 2009


Reviews of Kellerman and The Adventures of Wound Man and Shirley

Kellerman by Imitating the Dog



Set in a psychiatric institution, the production explores the themes of time-travel, history and memory, while posing the question ‘what is reality?’

Kellerman’s mind is so confused, I don’t really know what happened in the end, or if it ever truly ‘ended’. He believes he repeatedly travels back in time, consistently altering history and thereby creating a series of alternate realities (or at least, I think that’s what they were trying to suggest – I may have misunderstood!). He is searching for the wife and child he believes have disappeared, but his therapist protests have never existed.

The whole production is visually stunning, with hints of The Matrix and The Time-Traveller’s Wife, and a lot of the animation is reminiscent of A Scanner Darkly. This all gives the piece a very gothic appearance and takes you deep into the mind of Kellerman. However, all of the dialogue is pre-recorded (for use in the animation), so the actors mime.

Personally, I thought the actors gave really good performances, but I felt they were fairly redundant and at times just a distraction from the animation. When their miming and physical actions were in sync with the animation, it gained a new dimension, but as soon as they were out of time, for me, it destroyed the magic.

Although I found the storyline confusing, I would still recommend that you see this show as it is so unusual and inventive.


The Adventures of Wound Man and Shirley


Shirley is a boy with a girl’s name, who finds a friend in the unconventional superhero, Wound Man (the character in the poster with all the weapons sticking out of him!). The play tells the story of their friendship and escapades, and, according to the flyer, is about “growing up and getting braver”.

Set in Shirley’s bedroom (brilliantly designed by Janet Bird), the entire story is narrated by Chris Goode and aided by the occasional animation; it’s a bit like ‘Jackanory Live’ for adults. The script was very funny and well written, but some of the humour was lost in the performance.

I felt the production needed more animation – the ‘skylight’ was wonderful, but was not utilised anywhere near enough! I would also say that it could do with a bit of ‘tweaking’. The characters, for example, were at times, vocally confused (although Wound Man did maintain a consistent vocal identity throughout the show). The physicality of the characters was also not consistently maintained. Despite these points, I thought it was very funny, and overall I really enjoyed the show.

Both shows run until Wednesday 13th May 2009.

Links:


Mayfest Website
Bristol Old Vic
Tobacco Factory Theatre

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