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Showing posts with label Mayfest. Show all posts
Showing posts with label Mayfest. Show all posts

Wednesday, 13 May 2009


Reviews of Kellerman and The Adventures of Wound Man and Shirley

Kellerman by Imitating the Dog



Set in a psychiatric institution, the production explores the themes of time-travel, history and memory, while posing the question ‘what is reality?’

Kellerman’s mind is so confused, I don’t really know what happened in the end, or if it ever truly ‘ended’. He believes he repeatedly travels back in time, consistently altering history and thereby creating a series of alternate realities (or at least, I think that’s what they were trying to suggest – I may have misunderstood!). He is searching for the wife and child he believes have disappeared, but his therapist protests have never existed.

The whole production is visually stunning, with hints of The Matrix and The Time-Traveller’s Wife, and a lot of the animation is reminiscent of A Scanner Darkly. This all gives the piece a very gothic appearance and takes you deep into the mind of Kellerman. However, all of the dialogue is pre-recorded (for use in the animation), so the actors mime.

Personally, I thought the actors gave really good performances, but I felt they were fairly redundant and at times just a distraction from the animation. When their miming and physical actions were in sync with the animation, it gained a new dimension, but as soon as they were out of time, for me, it destroyed the magic.

Although I found the storyline confusing, I would still recommend that you see this show as it is so unusual and inventive.


The Adventures of Wound Man and Shirley


Shirley is a boy with a girl’s name, who finds a friend in the unconventional superhero, Wound Man (the character in the poster with all the weapons sticking out of him!). The play tells the story of their friendship and escapades, and, according to the flyer, is about “growing up and getting braver”.

Set in Shirley’s bedroom (brilliantly designed by Janet Bird), the entire story is narrated by Chris Goode and aided by the occasional animation; it’s a bit like ‘Jackanory Live’ for adults. The script was very funny and well written, but some of the humour was lost in the performance.

I felt the production needed more animation – the ‘skylight’ was wonderful, but was not utilised anywhere near enough! I would also say that it could do with a bit of ‘tweaking’. The characters, for example, were at times, vocally confused (although Wound Man did maintain a consistent vocal identity throughout the show). The physicality of the characters was also not consistently maintained. Despite these points, I thought it was very funny, and overall I really enjoyed the show.

Both shows run until Wednesday 13th May 2009.

Links:


Mayfest Website
Bristol Old Vic
Tobacco Factory Theatre

Saturday, 9 May 2009


King Pest, and Night Flyer


Last night I reviewed King Pest and Night Flyer for Theatre Bristol. However, I'm not sure what time the review will be live on the site, so I'm posting it here as the show finishes today. There's still time to catch the matinee or the evening performance. Click here to go to the Mayfest website.




The Paper Cinema and Kora present King Pest, and Night Flyer

I walked into the Bristol Old Vic bar tonight and immediately loved the atmosphere. The plastic chairs and tables had been replaced for the festival by an eclectic mix of old wooden ones, while the walls were plastered with production posters and all around was the buzz of anticipation.

Moving into the Paintshop, the atmosphere was even more electric as this comparatively small space was full to the brim with an audience eager to find out what the night had in store. It was very intimate and I felt like part of a privileged group. Sitting down, I realised I wasn’t entirely sure what to expect, but having read the phrases ‘ink blotches’ and ‘fully fledged puppet actors’, I had deduced it was something I wanted to see.

I mistakenly thought that King Pest and Night Flyer was all one name, but they are actually two separate ‘paper films’. King Pest was commissioned as part of Punchdrunk’s The Masque of the Red Death and based on the short story by Edgar Allan Poe. Night Flyer is an original magical creation of The Paper Cinema. Both were accompanied by live viola and guitar, played by Kora. I’m not going to give any further description as I believe part of the enjoyment lies in losing yourself in what you are watching and allowing the puppets (and puppeteers) to tell you their story.

I really enjoyed the production and loved the whole concept of a ‘paper cinema’. Probably the best way to describe it would be to call it live animation, as the static pen and ink drawings are brought to life on a giant screen while you sit with the puppeteers and watch them work their storytelling-magic before your eyes.

The music was beautiful and really complimented the animation. I could have listened to Kora all night; his playing took me on the journey of the characters and I was rather sad when it ended.
This is a gem of a show, but it is only on until Saturday 9th May, so don’t miss out, grab some tickets and allow yourself to be drawn into (sorry, couldn’t resist the pun) the animated magic of The Paper Cinema.


Four Stars ****

Friday, 8 May 2009


Out and about for Mayfest


Spring has sprung and Bristol's fabulous theatre festival 'Mayfest', is in bloom.


If you have yet to discover this annual festival, now in it's sixth year, then here's what it's all about in a nutshell:

'Mayfest is an annual celebration of contemporary physical, visual and experimental theatre from Bristol, the UK and overseas'
(Mayfest Programme 2009)

Shows take place across the city from the Bristol Old Vic and the Tobacco Factory Theatre to 'A secret location in central Bristol' (the last being the setting for Duncan Speakman's My World is Empty Without You).

Producers Kate Yedigaroff and Matthew Austin have pulled out all the stops this year to create an incredibly exciting and varied festival, whilst managing to maintain low ticket prices (and keep an eye out for special offers!).

You can also get involved with numerous workshops and discussions taking place over the course of the festival, just take a look at the website or the back of the Mayfest brochure for further details.

In addition to writing about productions on Downstage Write, I will providing some reviews for the Theatre Bristol website. You can already read my review of Hard Hearted Hannah and Other Stories by clicking here. You can also keep up to date with new posts on Downstage Write by following me on Twitter.

So grab yourself some tickets and get involved in one of Bristol's most exciting events on the theatrical calendar.

Links: