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Thursday, 10 May 2012

'Actual Reality' is a Gripping Yarn

This weekend Gripping Yarns will take place at the Royal Albert Memorial Museum (RAMM) in Exeter, and my monologue, Actual Reality, is one of the twelve pieces selected for performance.

Although I do a lot of writing for different things, I have never written a script or monologue, and submitted it anywhere, because I’m always saying ‘I haven’t got an idea I want to develop’. So, when I turned up halfway through the first scriptwriting workshop, I had no intention of writing a script, I just wanted to say hello to Sheila (Show of Strength), but as I walked around the beautifully refurbished museum, a kernel of an idea started to form.

Front of leaflet advertising the writing workshops for the project

On my list of ‘Interests’ you will find History, and although I have my favourite periods, part of my interest lies in a desire to learn from the past and understand how it affects our present and ultimately our future. This gave me an idea: what if you were in the future, looking back at the present as if it was the past? What defines this period of time? How could things change on a small or large scale?

I still didn’t put anything down on paper, but over the next few weeks a couple of issues came up in the news and suddenly I had a starting point, but no real story. Time was marching on and as I was now considering submitting a monologue I needed to get back to the museum and properly explore the objects on display.

If you’ve been to the new museum and picked up one of the maps, you’ll know that finding your way around is still a bit confusing, but thankfully they have the room numbers on the walls, so, on my second visit, I was determined to visit every room. It was the last, and perhaps the most underwhelming room I tracked down that provided the inspiration I needed.

Room 6, Behind the Scenes, is a tiny room which aims to give you an idea of what happens behind the scenes at the museum, and on the wall you will find copies of catalogue cards for objects in the museum. They have a picture of the item and all sorts of information like, what it is, what it’s made from, where it comes from, etc, etc. As I looked at the cards I found myself wondering how you would fill out the cards if you were cataloguing a human. Suddenly, I knew I had an idea I wanted to develop and no more excuses not to write it.

Without giving too much away (in case you pop into the museum and watch the performance), Actual Reality, explores what it means to be human, my frustration with endless terms and conditions and disclaimers as well as the constant advertising bombardment and privacy intrusion from companies battling for our personal information and touches on some current political ideas. That’s right, I’ve packed all that (and more) into a darkly humorous, five minute (ish) piece holding a mirror up to modern life.

That’s enough about my piece, there are eleven others being performed and it’s going to be a brilliant weekend at the museum. I haven’t seen all of work, but it’s likely that there will be pieces that make you laugh, some that make you sad and definitely ones that make you stop and think.

It’s a similar setup to Show of Strength’s Trading Local, but instead of taking place in local shops, each piece will be performed in the museum. If you’ve never been to Trading Local, think of it as a mini theatre festival that happens in one building and there will be a timetable so you can see find out what’s happening, when and where it’s taking place. Assuming it becomes available online, I’ll post a link to it, when it’s released.

In the meantime, if you want to find out more, there are some links below and I hope you get a chance to visit the RAMM over the weekend and see some of the Gripping Yarns.

Useful Links


RAMM Gripping Yarns Page
Exeter Northcott Gripping Yarns Page
Exeter Northcott Gripping Yarns Press Release
Show of Strength

Thursday, 5 April 2012

Right Here, Right Now

I am sent a lot of Press Releases about productions in the South West, so I’m going to trawl through my inbox over the coming weeks, and bring you a selection of shows to peruse. I thought I’d start with a short blog post today highlighting a couple of productions that are on now...

Madhampton.co.uk

Stepping Out Theatre Company  

http://www.steppingouttheatre.co.uk/


The Blurb

‘It isn’t legal or ethical... But it is incredibly exciting and it’s on the internet so that means it’s probably OK!’


A group of online friends have met through ‘second-life’ therapy site madhampton.co.uk., a slightly scary therapeutic community.

Madhampton is a virtual English village with an array of larger-than-life characters. It appears to offer sanctuary for troubled minds but when they meet for real the friends discover it is more complicated than that...

Who is the mysterious figure behind the site and what is his real agenda?
Why are forest-dwelling rebels the Square Wheelers so keen to take it down?
And do they really have to wear tights while they’re doing it?

The friends must decide whether Madhampton is a healing place or a sinister cult... And how far they are prepared to go to escape their painful realities.

My Thoughts

It sounds as mad as the name and I like the poster (yes, I know, never judge a book by it’s cover - although these days I think you can, as the best book covers are designed to communicate the contents or reach a target audience, but that’s a whole other discussion...) so I’m really looking forward to this one.

The Important Info


Where?

The Brewery Theatre, 291 North St. Southville, Bristol

When?

7.45 p.m.
Wednesday 4th - Thursday 5th and Tuesday 10th - Saturday 14th April 2012

How much?

£9/£7

Where do I get tickets?

The Tobacco Factory Theatre
T: 0117 9020344
www.tobaccofactorytheatre.com


APOPO

On The Stage Of The Present 

www.onthestageofthepresent.posterous.com


The Blurb

On The Stage Of The Present (Tom Pritchard) brings a brand of performance improvisation combining movement, dance and text to story tell, reigniting a long standing collaboration with Chloe Whipple. Other special guests will join us over the three night run where a whole new piece will be discovered onstage each night.

So join us for APOPO, a series of 3 performances on the 5th, 6th and 7th of April 2012.

Titles:
5th Night 1) You are not allowed in the past anymore
6th Night 2) The medium is somewhere in between us
7th Night 3) Avoidance of a monochrome disappointment

My Thoughts

I don’t know Tom Pritchard’s work, but I know Chloe is fantastic and I like the titles for each night. It’s also 2 for 1 on Adult tickets, so I reckon it’s worth a watch!

The Important Info

Where?

The Bikeshed Theatre, Fore Street, Exeter

When?

7.30pm
Thursday 5th - Saturday 6th April

How much?

£10/£7 and according to the website a 2 for 1 offer is currently available for Adult tickets.

Where do I get tickets?

The Bikeshed Theatre
T: 01392 434169
http://www.bikeshedtheatre.co.uk/whats-on/apopo/

That’s it for today, but I shall highlight more over the next couple of weeks.

Friday, 3 February 2012

Molly, Me and Private Peaceful

There are some productions that stay with you and remind you why you love acting. On Saturday 4th February 2012, the Radio 4 production of Michael Morpurgo’s, ‘Private Peaceful’ will air as the Saturday Play of the Day, and for me, it is one of those productions. 

Image from the 'Private Peaceful' Podcast (available after broadcast). Click on it to go to the podcast.
Once upon a time I worked as a bookseller, and one day I decided I wanted to arrange a large event with Michael Morpurgo, to promote his latest book. Clearly I had gone mad. It meant co-ordinating 450 children from 9 schools to gather in the Bristol Old Vic for the event. Somehow I managed to bring it all together and I still remember watching the auditorium fall silent as the children became completely absorbed in the author’s words.
At some point during the day talk turned my acting and wouldn’t it be funny if I ended up in an adaptation of his work...so imagine my surprise when a few years later I got the phone call to say I’d got the role of Molly in the Radio 4 production of one of his most popular books - my jaw dropped and, let’s face it, I did a little dance.
I always hoped I would be in a production of his work, but 'Private Peaceful' was the last Morpurgo adaptation I ever thought I would find myself in!  Why? Because I had watched the original stage adaptation with Paul Chequer as Tommo, and assumed that if they ever did a radio version they would keep it as a  one-man production. I also assumed it would be recorded in a studio, but we recorded it on location in Iddesleigh and it wasn’t until we were on location that I understood why this was so important for the production. 
Iddesleigh is a rural village and we had the luck to be there on one of the most gloriously sunny days last Spring to capture, in the recording, all the sounds of nature that course through the village - and nature is definitely a character in its own right.
Here we are, squinting in the sun!  (Left to Right) Simone Reade, Christopher Bianchi, Amy Reade, Michael Morpurgo, Annette Chown, Paul Chequer, Alison Reid, Mark Quartley. This image is from the Radio 4 website listing and you can find more behind-the-scenes pictures of the production on the site. Click on the image to visit the full listing and find out more.

I’ll admit I was nervous as the others had already been working together and I was only with the team for one day of recording, but Susan Roberts, the producer, immediately put me at ease, and everyone was lovely and welcoming. The production also brought me back together with some familiar faces, including Chris Bianchi, Simon Reade, mini me, (well, mini-Molly) Amy Reade and of course, Michael Morpurgo!
Image from the BBC Radio 4 website listing for 'Private Peaceful'. Click on it to view the listing.

The play takes place in this idyllic Iddesleigh and the trenches of the First World War through the memories and inner thoughts of Tommo Peaceful, with the music of Coope Boyes and Simpson to transport you to the era. It’s very moving, so you might want to grab a box of tissues before you switch the radio on!
I’ve already listened to it and Susan Roberts has crafted a beautiful production which I am proud to be part of, and the only way I can describe it is ‘magical’, because it really felt like there was something in the air that day which has made its way into the final piece.


Useful Links




Friday, 22 July 2011

Und on We Fund

In my last post I showed you a little promotional video I created just to look at what we could create on a budget of nothing with the resources we have as we would shortly need to create a video for We Fund, the crowd funding website.

By some minor miracle we finally have a video and our project up on the site (it's a miracle because everything that could go wrong, did go wrong!) and I promised to share the final video on my blog, so here it is:


We've made it to 13% of our target, at the time of writing, but that's still a long way from our target and if we don't reach at least 100%, we get nothing. So, if you are able to help us reach our target click on this link to visit our We Fund page, or if you know anyone who might be able to help us, please pass the link on. Thank you!

Monday, 13 June 2011

Taking Und to Edinburgh


It's been another busy week, but I thought I'd quickly share what I've been up to...
As you may already know, Und  is heading to Edinburgh - woo hoo! However, we could do with a helping hand to fund the show and we're looking into crowd funding as one of the possible sources.
If we use a site like We Fund, we would need to create a video to go with our appeal and at the moment it looks like it'll be me putting it together. So, having never done anything like it before, I've started to play with what we've got (production stills, quotes and music from the show) to see what we can do and to learn how to do it. Below is my first creation - a little promo for the show - it is by no means the final product (I'll post the final outcome on here as well), but I was pretty chuffed with my first attempt:







Thanks again to Matt Chilton for sending me the haunting recordings of him and Seth Guy (if you didn't see the show this is some of the music they created from found objects and if you did see it, it may evoke a few memories), Alex Brenner for the production photography (he also designed our flyer which I use in the opening) and Abi Bansal for her pre-production photography (the black and white photos, taken in the warehouse, where we nearly froze taking them!)
I hope you enjoy it.

Thursday, 9 June 2011

Doing it Anyway

If you read my last post, you can see I foolishly thought I would find time to increase my writing. As it is, I have been so busy, my writing has been forced on to the back burner. With this in mind I thought the best piece to start this year’s writing would be a brief post about some of my antics and how one thing has led to another...
There's a book by Susan Jeffers called Feel The Fear and Do It Anyway. I've never read it and with my very long list of books I want to read, it's unlikely I ever will (well, not for a good few years at least). However, it sums up the mantra by which I have been trying to live my acting life over the last 12 months and I have to say it’s worked pretty well so far.


Instant Wit

It began about a year ago with an audition for Instant Wit, the comedy improvisation group. I love comedy improvisation, but equally it terrifies me, especially when auditioning for a group of people who have been working together for years. It was as terrifying as I thought it would be, but they were lovely and although I didn't make it into the group, I did get recalled, which boosted my confidence, and meant I met some brilliant people that I'm still in contact with - I also laughed longer and harder in that rehearsal room than I have for ages!
Show of Strength Theatre Company


A few months later, Sheila at Show of Strength approached me about performing in Trading Local, a brilliant initiative aimed at regenerating local shopping areas. Site-specific monologues, sourced and developed from local writers are performed in shops - not empty ones, trading ones - creating some very 'intimate' theatre!


The thought of performing with no boundary between audience and performance sounded exciting, but I could feel the fear in the pit of my stomach. Once again, because I could feel the fear I knew I had to do it. 


Performing in Trading Local. Photograph Copyright Zuleika Henry


It was an great experience for many reasons, with a lot of strange coincidences, that if you believe in fate, could easily be read as signs.


Serendip Poster


One coincidence came in the form of Sam Randall, a playwright with a new play, called Serendip, about to be performed in Exeter. She approached me after one of my performances and asked if I would be interested in auditioning for her play if she could get me seen. I said ‘yes’ and to cut a long story short, within a few weeks I was rehearsing the roles of Gertie and Ten in Serendip at The Bike Shed Theatre.
Towards the end of the run an old friend, now a director, called me to ask if I was interested in auditioning for a production of a one-woman, Howard Barker piece, to be performed in an huge, freezing cold, empty warehouse on the Paintworks site in Bristol - with a proposition like that, how could I say ‘no’? Well, I thought about it, as the fear of doing a huge show in a short space of time with everything resting on my shoulders was great, but it was such an unusual opportunity, once again, I had to say ‘yes’. 


Performing in 'Und'


The play was Und and I got the role. What ensued one of the biggest acting challenges I have so far faced. Thankfully, the show was well received and soon the challenge will be even greater as we are taking the show to Edinburgh for the Festival. 
I don’t know what the next 12 months have in store, but over the last year I know that by stepping out of my comfort zone, I have developed in many ways, so I hope the offers keep coming and even if I feel the fear, I continue to push myself and do it anyway.

Wednesday, 27 October 2010

Happy Birthday Theatre West

I knew it had been a while since I had last posted on the blog, but I didn’t realise just how long it had been until I actually checked the date. June? June? Surely not...

In my head it doesn’t seem that long because I have been planning pieces and starting to write them in the intervening period, but have had to abandon them as events have taken over my time.

The last couple of months have been incredibly busy and I have had the opportunity to work on some really interesting and unusual pieces with some brilliant people, including Consulting with Chekhov at the Alma Tavern and Trading Local with Show of Strength. I am currently rehearsing a new play called Serendip at The Bikeshed Theatre in Exeter, so my ‘spare’ time is limited, but over the coming weeks, I plan to write about the production whenever possible. This piece, however, is one I’ve been planning to write for the last month, about the current Theatre West season.

Front cover of the 2010 brochure 

This season marks the 20th birthday of Theatre West and Co-Artistic Directors Alison Comley & Ann Stiddard have programmed some really thought-provoking work from writers with very distinctive voices.

Children of Salt image Copyright Toby Farrow 2010

The season opened with the powerful Children of Salt by Edson Burton, directed by Amanda Horlock. It dealt with life after genocide and how you rebuild your life. Suspicion and guilt seeped through the play as the characters tried to hold onto the love they once shared. In the end you see that they have all been existing and not living as the psychological wounds continue to weep long after the physical wounds have healed.

A Laughing Matter image Copyright Toby Farrow 2010

Next up it was A Laughing Matter by Dom Rowe, directed by Ed Viney. It was darkly comic piece following a failing ‘suicide-mime’ artist and the inventor of canned laughter, as they go ‘on the run’. Full of cultural references and set in the desert somewhere in America, it was soon apparent that the people they were running from were insignificant and ultimately they were trying to out-run their past in order to escape their future.

Watching this one was particularly interesting as I had read an earlier version of the script, which had a completely different ending, so I wasn’t expecting it to end how and when it did end. At the time I felt the ending was positive and full of hope, but on reflection, I think this was influenced by my knowledge of the previous ending. The ending I watched was more open ended and although it still suggested hope, I think that for Audrey, the mime artist her future was far from certain.

Page from 2010 brochure

Pavement by Sharon Clark, directed by Emma Earle is the current production in the season and is described as a ‘fierce, funny and tender meditation on love, loss and broken engines’. Although I haven’t seen it yet, I’m really looking forward to it as I am familiar with Sharon’s previous work.

Page from 2010 brochure

The penultimate production will be the final part in Steve Hennessy’s Lullabies of Broadmoor series, Venus at Broadmoor, directed by Chris Loveless. Set in the infamous lunatic asylum, the story is based on the real-life ‘Chocolate Cream Poisoner’, Christiana Edmunds, the most notorious female patient at Broadmoor. Watch it and it will make you question your resistance to such enigmatic characters.

Page from 2010 brochure

As the programme points out, the season opened with a play about the effect of war on ordinary people and it closes in the same way. Rabbit Ears by Bruce Fellows is about women at home waiting for news of their men, soldiers fighting in Afghanistan. It will be directed by Theatre West’s very own Alison Comley and Bruce is the winner of their initiative with Southwest Scriptwriters. It sounds great, but unfortunately I won’t be able to see this one as I will be performing in Exeter.

Ann and Alison outside The Alma Tavern

I think Ann and Alison are amazing – the sheer amount of time they dedicate to sourcing and supporting new work is admirable and Theatre West is a fantastic asset to our region. We all know that the government and Arts Council cuts are coming, but I really hope that Theatre West weathers the storm. With Ann and Alison at the helm I have every faith it will be here to celebrate its 21st birthday and beyond.

Happy Birthday Theatre West!

Useful Links: